SIDE NOTE: This is just me speculating but I think it's possible that rather than somehow emitting "black light" I think the darksaber's blade acts more like the event horizon of a black hole. Not sure if the Temple Guard's having yellow/gold blades was ever addressed, but I imagine it was probably something to do with the distinct yet uniform nature of their look that separates them for other Jedi, and possibly partly to re-enforce the notion that they're antiques from an earlier era. Mace Windu's blade was purple simply because Sam Jackson asked for it and similarly Ahsoka's new blades were white because Dave Filloni liked how it looked. Luke's green blade in RotJ came about simply because they were shooting with a blue sky in the background during the sarlacc action sequence and it made the blue blade difficult to see. Indeed, the initial intent was to do the lightsaber effect entirely in-camera with highly reflective material and a light behind camera, but when that method proved impractical and problematic on-set, they ended up rotoscoping them all in post anyway. Originally they were all intended to be white blades as per Ralph McQuarrie's concept art (and I believe briefly they were all going to be red, but I may be mis-remembering.) This was changed to blue and red to make it visually easier to distinguish between Vader & Ben's blades in some of the faster moving close and medium shots. Indeed, it's worth keeping in mind the real-world history of why these different blade colours have been used over the years. After Lucas nixed the idea that a vibro-blade could ever block a lightsaber they went though several iterations of what an unusual lightsaber might look like- including a yellow blade-before settling on the black blade. The real reason for its colour is of course because the filmmakers wanted something that looked unique. The history behind the darksaber appears to be something they only started to really think about in any detail when it cropped up again in 'Rebels'.īased on what's been said it seems they only thought about it in broad strokes for it's appearance in TCW that it was an old relic pilfered from the Jedi Temple by Mandalorians and used as a symbol of power for the warrior clans. Therefore anything other than red should be a natural bond or the result of some other unknown factor that's yet to be addressed. As such, in these instances it's not reflecting the individual as it does in a natural bond, but the method by which it was bonded. They only know how to dominate and turning red is how kybers react to an imposed, unnatural bond. Kybers don't turn red because their users are dark side users (not directly anyway) they turn red because the nature of a dark side user precludes them from being able to form a sympathetic bond. That said, the idea that it's because it's tied to the dark side seems directly at odds with established canon. Likewise, until we hear otherwise, any reasoning behind the darksaber's blade being black would be equally speculative. ![]() The idea that Ahsoka's blades are white as a direct result of her being neither Jedi nor Sith is pure speculation. This appears to be by design and meant to be yet another mystery of the Force. Secondly: Aside from "red=dominated", the precise meaning (if any) behind the colours of bonded crystal is unknown, even in-universe. The only way the colour can change is if the crystal is bonded with and built into a new hilt. At that point the colour is "fixed" and doesn't change based on who happens to be wielding it at any given time. ![]() First off: kyber crystals only change colour as they bond with (or in the case of dark side users: dominated by) the individual constructing the lightsaber.
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![]() The Advantages Of Using Our Premium All That Remains: Part 1 Hack – What You Need To Know Before You StartĪt this point you may be thinking to yourself, “I don’t know what this particular All That Remains: Part 1 hack is all about, and how it functions.” But, don’t worry! We are intending to explain to you every one of the essential details and you will be on your way to acquire your limitless resources in no time … Our on-line game cheat is 100% reliable and protected, it works on every mobile device, and it’s fully free of charge to make use of it. ![]() Today you will definitely have the ability to end up being the ultimate gamer using our cheating All That Remains: Part 1 hack! Our experts make it effortless to acquire limitless resources for your beloved mobile game. Our cloud-based game hack performs 100% on all devices and you don’t need root, jailbreak or download and install anything – it is protected and secure! 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Just make sure you come prepared: bring a refillable water bottle for the numerous fill stations, wear appropriate walking shoes, sun protection and sunscreen (though, if you forget your sunscreen, there are dispensers in the on-site bathrooms). Recent visitors enjoyed their time at the museum and highly recommended future travelers set aside a few hours to explore the attraction's grounds and educational exhibits. ![]() Strolling along the museum's 2 miles of hiking trails, visitors get acquainted with the desert landscape via animal exhibits that mingle with native plants. And if you feel hungry after your leisurely hike, you can enjoy a meal at one of the museum's three eateries, all of which have great views of the surrounding desert. Next to the entrance plaza, visitors pass the Warden Aquarium and Reptile, Amphibian & Invertebrate Hall before heading out to explore the rest of the exhibits via walking paths. Across the Arizona-Sonora Desert Museum's 98 acres, you'll find 230 animal species – including hummingbirds, coyotes and string rays – along with 1,200 local plant species. In fact, 85% of what you'll experience is outdoors and requires walking (dress accordingly). Although it's called a "museum," this facility, which is home to animals, a botanical garden, an aquarium and an art gallery – is more of a zoo. The letter of transmittal should be formatted as a business letter. Use the concluding paragraph to offer to discuss the report it is also customary to conclude by thanking the reader for their time and consideration. ![]() The next paragraph should briefly identify, categorize, and describe the primary and secondary research of the report. Provide the purpose of the report in the first paragraph as well. If applicable, the first paragraph should identify who authorized the report and why the report is significant. Letter of TransmittalĪ letter of transmittal announces the report topic to the recipient(s). Additionally, if you intend to bind the report on the left, move the left margin and center 0.25 inches to the right. Utilize arabic numbers for the other pages that follow. When numbering the pages (i.e., i, ii, iii, etc.) for a formal report, use lowercase roman numerals for all front matter components. You can then utilize two different types of numbering schemes. The title page should not include a page number, but this page is counted as page “i.” Use software features to create two sections for your report. The items on the title page should be equally spaced apart from each other.įigure 11.1 Report Title Page Components It should appear 2 inches above the bottom margin. This date may differ from the date the report was written.Type “prepared by” on one line, followed by the name(s) of the author(s) and their organization, all on separate lines.Name of the author and any necessary identifying information.Some reports may include an additional line that presents the name of a specific person. Type “Prepared for” on one line, followed by two separate lines that provide the receiving organization’s name and then the city and state.Name, title, and organization of the individual receiving the report.This should appear 2 inches from the top margin in uppercase letters.The title page provides the audience with the: Let’s take a look at some of the parts of the report in greater detail. The Introduction may contain very similar information, but it focuses on giving a short, technical overview of everything in the report. It’s a short, persuasive overview of everything in the report. For example, the Executive Summary is aimed at managers. While it’s fine to copy and paste between sections, you will likely need to edit your work to ensure that the tone, level of detail and organization meet the needs of that section. Your audience should be able to find exactly what they need in a particular section, even if that information has been repeated elsewhere. ![]() That means that you will often repeat yourself. Most audience members will not read every piece, so these pieces should stand on their own. Formal reports are modular, which means that they have many pieces. While you may write much shorter, more casual reports, it’s helpful to go into a bit of detail about formal reports. – A player can customize and train squads according to their individual playing style, unlock perks and upgrades as long as this does not contradict the historical accuracy principle. To facilitate this process, the player should be choosing their spawn points based on their proximity to the next objective. Each of them is based on a real model used in the specific historical campaign of World War II. Enlisted is a tactical FPS and needs to be played like one. It’s a realistic WW2 infantry simulator with gameplay similar to old-school battlefield titles. – Hundreds of weapons, ground vehicles and aircraft types. Enlisted is the latest game from Gaijin Entertainment, famously known for developing War Thunder. – 10+ distinctive squad classes like assault, sniper, heavy gun, mortar, flamethrower, anti-tank, engineer, radio specialists, tank crews, aircraft pilots and others. – High input of each player in the team victory: despite the massiveness of the battles, the result is significantly defined by the performance of each player. Players assume the roles of an infantry squad or a tank crew commander or an aircraft pilot. – Epic battles that look as massive as the historical battles, like the Normandy Invasion. 3 9 80 Show this thread Enlisted EnlistedGame Fixed the 'Respawns' button being non-functional in the 'Toolbox' section of the mod editor. There are more campaigns already in development including the “Battle for Berlin” and others. Update 0.4.4.62 Fixed commanders appearance for M10 GMC in the 'out of the hatch' position. ![]() The game carefully recreates weapons, military vehicles and the atmosphere of that era, while demonstrating really massive clashes of numerous soldiers, tanks and aircraft with artillery and naval support.Īt first, players will be able to fight in the “Battle for Moscow” campaign that recreates the heavy clashes between German and Soviet troops in the outskirts of the Russian capital and the “Normandy Invasion” covering D-Day landing and following battles. No experience points are awarded in this event.Enlisted is a squad-based first person MMO shooter covering key battles from World War II. 1 Silver Weapon Order for 3 wins in battles of the event.1 Silver Soldier Order for 1 battle played in the event Black Bear International has announced that Henry Cavill ( The Witcher ), Jake Gyllenhaal ( Ambulance ), and Eiza Gonzlez ( Baby Driver) have signed on to reunite with director Guy Ritchie ‘s in. ![]() This is an entertaining event with nice rewards for participation: ![]() In addition to weapons, each squad has a pair of sapper shovels available for digging barriers and trenches. The 120mm and 125mm high-explosive shells are extremely powerful - take advantage of that! Event Featuresĭynamic battles await you in the familiar missions of the Battle of Tunisia Campaign. This is a subreddit dedicated to the free to play game Enlisted, an MMO squad based shooter develope. Two of the most famous models of modern tank building, the M1A1 HC and the T-80U, cover the infantry with their powerful armor and can reduce the number of enemy troops in a single shelter to zero. In this event, you will get pre-assembled assault and sniper squads under your command, as well as be able to engage in combat in modern armored vehicles.Īmong the available weapons will be both authentic models from your nation, as well as a wide range of commonly available weapons from all corners of the modern world, such as the M4A1 carbine. ![]() They show a solo Kuttner spinning off ideas like a Catherine Wheel throws sparks. The tales in Thunder fall between those poles. Detour, however, offered lasting works of pure genius. Useful as an insight into the development of a talent. Terror contained facile, repetitive stories that packed a simple, effective punch, then evanesced. Haffner previously gave us Terror in the House and Detour to Otherness by Kuttner, the latter with his wife, C. Specifically, today, this latest Kuttner offering. Taking all that into account, I believe that any reader with a more than passing interest in what SF is and means and can accomplish-and who wants to enjoy some Haggard-level storytelling-owes it to himself or herself to check out these books. Whereas in this uncertain age of the digitization and evaporation of paper books, a book from Haffner, lovingly and luxuriously crafted and thoughtfully designed, carries a weight of defiance, of proud traditional assertiveness and rootedness, even of countercultural nose-thumbing. The Boucher project was just another line-item in the boring, stable world of Doubleday. One final thing that distinguishes Haffner (and NESFA, etc.) collections from the Boucher landmark is the altered state of book publishing. It’s a feeling I welcome, but I know that others, perhaps especially younger readers, might feel such assemblages are fusty relics. This phenomenon imparts to these collections a sense of time-travel artifacts, antiquities rescued from the dustheap of history. In fact, in many cases, these newly collected stories will be getting their first airing in several decades. But the strata from which these new books mine their treasures are much deeper and stranger and uncommon for the 21st-century sensibility. The Boucher books felt to me then almost like a state-of-the-art snapshot. Boucher is nearly twice as far from us as he was from Gernsback. Today, we are (almost) fifty-five years deeper into the production of SF. So great as the Treasury was, it spanned only twenty years of the field (admittedly, a field that was barely just a tad over thirty years old in 1959). And many of the stories-the novels especially-could easily be found in other editions. But most of the pieces were from the forties and fifties. But additionally, they also carry a weight of nostalgia and time-binding and laudable archival rescue work that the Boucher volumes did not. The giant, career-spanning compilations these fine presses produce offer a similar thrill of enormous literary riches. I get the same feeling these days whenever I receive a book from Haffner Press (or from NESFA Press, or a few other worthy independent publishers). Needless to say, I hardly waited ten minutes after receipt before diving into them, and they fulfilled all the advertised delights. I marveled that any editor could assemble between two covers (okay, four covers) such a generous treasure trove for my enjoyment. Holding those books, I felt a palpable sense of the living, ongoing history of the field, and a vision of the riches the genre contained. The set contained four complete novels, and a wealth of shorter fiction. ![]() "When I was but a lad, the Science Fiction Book Club held out as enticement to join (cost: one thin dime, to be mailed physically via USPS) the two-volume anthology edited by Anthony Boucher and titled A Treasury of Great Science Fiction. When I received this induction premium, my head practically exploded. THUNDER IN THE VOID is a massive collection of 16 vintage Space Opera stories selected from classic pulp magazines such as Weird Tales, Marvel Science Stories, Astonishing Stories, Super Science Stories, Super-Detective, and of course, Planet Stories. Most of the these are appearing in book form for the first time. An added bonus, Haffner Press is pleased to include anunpublished story by Kuttner, “The Interplanetary Limited.”Īward-winning author (and the only writer to stage a live performance of a Kuttner Space Opera story) Mike Resnick contributes an introduction reflecting on his admiration for stories by Kuttner (and Moore). But he also wrote blood-n-thunder Space Opera stories in the vein of Edmond Hamilton (one of young Kuttner’s favorite authors) told with a rough-edge style similar to Kuttner’s protege Leigh Brackett. Moore in 1940, Henry Kuttner wrote stories of Lovecraftian horror, weird-menace “shudder” tales, and thrilling adventure stories. Prior to his marriage to fellow science-fantasy writer Catherine L. The older types are generally longer and broader and have a thinner butt than the later thick-butted axe. They tend to be seen as a working axe, and originate from roughly 3700–3200 BC. The thin-butted axe is usually made from flint, but some versions in other stone occur in both flint-rich and flint-poor areas.Characteristic of Western Sweden, Southern Norway and particularly the Oslofjord during the latter part of the Early Stone Age. The edge is polished and the butt bears signs of hammering. The Lihult axe (Norwegian Nøstvet axe) is a roughly hewn greenstone axe.Use wear analysis shows that the flake axe was probably used for preparing skins, rather than woodwork or other tasks. The flake axe is a type of axe made from a large flake chipped from a core, whose edge is used for the broad edge of the axe.The core axe appeared during the Early Stone Age. The core axe is a roughly hewn, unpolished flint axe with a pointed butt and the widest part often towards the cutting edge.When, much later, the axe was given a wooden handle, several different types of axes were developed, which may be divided into two main groups: Non-shaft-hole axes and shaft-hole axes.Īs the name suggests, the non-shaft-hole axes had no hole for the handle and were generally made from flint, greenstone or slate. Gradually, the design was refined to include knives, scrapers and arrowheads, amongst other things. The hand axe was probably used for many different tasks, everything from butchering animals to digging up tubers. The hand axe was a pear-shaped and roughly chipped stone tool brought to an even point, with a broad handle. The axe is one of the oldest tools used by mankind. Sometimes there is reference to a “Copper Age” as the transition period from Stone Age to Bronze Age. The Late Stone Age, which covers the period when farming became the main means of subsistence. The Early Stone Age, when humans lived by hunting and fishing, which spans the time from the first production of stone tools around 2.5 million years ago to the end of the last Ice Age around 10,000–11,000 years ago – and The name comes from the fact that most of the period’s cutting tools are made from stone. The Stone Age is the period in human history that marks the advent of tool production. ![]() You'll probably want to use her for getting your 10% on raid bosses and send Lily to quest and bring you 2x passive income. 50, she will be your main go-to fairy for Raids. ![]() (3) Do Raids with Lenore - Once you've gotten Lenore to lv. Once you've unlocked all of the fairies only spend gold on Golden Eggs. Then do the same with the other fairies, starting with Lenore and working your way down the list. Passively collect gold by unlocking the other fairies, and actively collect gold by doing runs with Lily and collect as much gold as you can until she reaches lv. Once you get Lily, she will be your main grinding fairy with her 2x rewards. 5 is good enough for most quests), buy a couple of bronze or copper dragons if you have the extra coins and don't have any dragons to level up, and level them up. Unlock fairies, level them up a little bit (lv. (2) Aim for Lily - She costs 30000 gold, and you get her at level 6. Tag and collect to amass a fortune in gold. When that happens, the first 3-5 raid bosses will die almost instantly. Know that all of the raids reset at 5:00 PM PST on Wednesday. You'll only get a fraction of the awards, but in the beginning that be a lot of gold. Join as many rooms as possible, tag the boss raids (do a little damage, then die), and collect rewards later. In the beginning, you won't be able to do the minimum 10% required on most of the boss raids, that is OK. There are constant rooms being created and posted here. (1) Join Group Raid Rooms - In the beginning, this will be your bread and butter. ![]() Here is everything I wish I knew two weeks ago:Įverwing Wiki - Easy-to-navigate information resourceĮverwing Reddit FAQ - In case you missed the big bolded sticky, peruse this FAQ first before you look for answers elsewhere It's a bit of a more targetted, and updated version of /u/stmack's helpful post from 4 months ago. I started playing a couple of weeks ago, and wanted to provide some advice for players who are just starting out. ![]()
![]() It has been suggested that genetic modularity affects the evolutionary dynamics of species, which in turn influence the evolution of molecular networks regulating morphogenesis 17, 19. Modularity, referring to the strong internal integration and weak interactions among morphological subsets 17, is another aspect of patterns of heterochrony to consider 18. Given such somatic integration between the skull and the brain, we tested whether the heterochronic changes in embryonic ossification reflect the evolution of brain size. Ontogenetically and evolutionarily, the expansion of the cranial vault reflects brain size increase 13, 14, 15, as shown also for humans 16. During the early evolution of mammals in the Jurassic, brain expansion was associated with the acquisition of the neocortex and diversification of sensory faculties 12. In this study, we show that the timing of bone formation in the mammalian skull is greatly influenced by two factors such as brain size and developmental modularity caused by the mode of ossification.Įncephalization is a central phenomenon in mammalian evolution, one that has led to the largest brained vertebrates 12, as best exemplified by primates and cetaceans. However, the ancestral patterns of craniogenesis timing and factors behind the cranial heterochrony remain largely unknown. ![]() This approach has served to identify fundamental differences in postcranial osteogenesis between marsupials and placentals 10, and unsuspected variation in placental development 11. Microtomographic imaging allows documentation of the onset of individual bone ossification, a powerful marker for tracing perinatal anatomy. ![]() Recent progress in high-resolution imaging techniques has provided new avenues to non-destructive investigation of fetal and neonatal specimens from museum collections. The critical stages for examination of organogenesis are fetal or around the time of birth 6, 7, and thus non-model organisms are rarely available and difficult to sample 8, 9. Until recently, most mammalian heterochronic studies have focused on postnatal life, and our knowledge of fetal development has largely been restricted to model organisms 5. Simple alterations in the onset, duration and tempo of development are regarded as causes of profound morphological changes 4. A major aspect of skull diversification is heterochrony, or changes in developmental timing, for which genetic mechanisms are now increasingly being understood 2, 3. The mammalian cranium displays great morphological disparity, reflecting the wide spectrum of ecological diversification in the group 1. We argue that cranial heterochrony in mammals has occurred in concert with encephalization but within a conserved modular organization. Furthermore, association between developmental timing of the supraoccipital and brain size was identified among amniotes. ![]() Ossification timing of the neurocranium was considerably accelerated during the origin of mammals. However, some skull-roof bones, such as the supraoccipital, exhibit evolutionary degrees of freedom in these constraints. We show that the mode of ossification (dermal or endochondral) unites bones into integrated evolutionary modules of heterochronic changes and imposes evolutionary constraints on cranial heterochrony. This comprehensive data set allows reconstruction of the heterochronic and modular evolution of the skull and the condition of the last common ancestor of mammals. Here we present the embryonic ossification sequence of 134 species, covering all major groups of mammals and their close relatives. The multiple skeletal components of the skull originate asynchronously and their developmental schedule varies across amniotes. |
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